Tag: novel writing software

Narrative Techniques Series: #7 Foreshadowing

Narrative Techniques Series: #7 Foreshadowing

We reached the 7th Narrative Technique between our Narrative Techniques Series: Foreshadowing.

This Technique consists of showing something that anticipates or foreshadows an event. For example, let’s think of a narration that begins with a male character who has to break up a schoolyard fight among some boys vying for a girl’s attention.

Next, she introduces foreshadowing the events leading to a dinner-time dispute between the character and his twin brother over her, whom both are courting simultaneously.

What is the Narrative Technique of Foreshadowing?

The Narrative Technique of Foreshadowing is nothing more than a hint of something that will come or be used later in the plot. For instance, the object or the ability needed by the character to succeed in such a situation. Imagine if the writer didn’t use this at the beginning of the story. As readers, we might encounter a complicated situation that the protagonist inexplicably solves easily. It will leave us with a bitter taste in our mouths.

According to the playwright Anton Chekhov, if a gun appears in a novel, it must fire. This concept in narration is Chekhov’s gun. We can link his statement to the technique of foreshadowing. If you missed the in-depth article on Chekhov’s gun, you could find it here.

The narrative technique of foreshadowing makes it possible to effectively and credibly insert, in advance, the elements necessary for the development of the narrative. This avoids the feeling of dissatisfaction we have just talked about and, on the contrary, creates suspense, intrigue, and mystery.

How to introduce the Narrative Technique of Foreshadowing?

Foreshadowing can be a cryptic dialogue between two characters who have yet to make their move. It could be a brief scene of a villain plotting behind the scenes, something unclear. It could be even a very simple cameo.

As with all the narrative techniques we have written about, foreshadowing also applies to the rule of not overdoing it. The risk is, as always, to confuse our reader or viewer.

Foreshadowing: a Narrative Technique in the Cinema

Think of the film 13 going to 30 starring Jennifer Garner. One of the first scenes shows Jenna Rink (Jennifer Garner). She is a successful 30-year-old and what led her to become that way.

Another obvious example is the technological gadgets presented to James Bond at the beginning of the film. Right from the start, we know that they will be crucial in saving the protagonist from a desperate situation.

One of the directors who make the most extensive use of the narrative techniques mentioned so far, including Foreshadowing, is Christopher Nolan.

In his film “The Prestige“, for example, and without spoilers, events are foreshadowed at the beginning. They will serve to close the film. Even though they are situations that have already been seen and understood, the feeling of surprise and the twist at the end of his films is always just around the corner.

Now you’re looking for the secret. But you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled.

The Prestige (2006)

Use bibisco’s novel writing software to build your original story

To include a particular Narrative Technique such as Foreshadowing, it is necessary to be clear about the development of the narrative. Otherwise, it may be challenging to retain the anticipation of events naturally without confusing the reader.

With bibisco’s innovative and modern novel writing software, you can decide in advance what the outline of your narrative is. In this way, inserting the Foreshadowing Narrative Technique will be easier and more natural and will leave your reader or viewer speechless!

Narrative Techniques Series: #7 Foreshadowing- bibisco's architecture and narrative strand - bibisco blog | useful resources by your novel writing software
bibisco’s architecture and narrative strand

Conclusions

Foreshadowing is certainly one of the most interesting in our Narrative Techniques Series. Read or seen for the first time, if well used; it is meant to leave a sense of wonder in the reader.

Seen a second time, it allows one to understand what the dynamics of the narrative are full. Moreover, knowing how the narrative develops, you can concentrate more on the feelings of the protagonists.

How to Master Character Creation in 7 Simple Steps

How to Master Character Creation in 7 Simple Steps

Characters are the engine of every story.

Quite often, indeed, they live longer than the story itself. How many of you happened to remember perfectly the characters of a novel read many years ago and not remember the plot at all?

Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.

Ray Bradbury, Zen in the Art of Writing

For this reason, it is very important to understand how to master character creation: here’s how to do it in 7 easy steps.

Step 1: download bibisco, your character creation program

Since the creation of the characters is essential, it’s necessary to have the right program that will help you in this task.

bibisco is a novel writing software focused on character creation.

Our vision is that characters are the driving force of any novel. So bibisco is packed with tools designed specifically for character creation.

bibisco is a desktop application for Linux, Mac, Windows. It’s available in 14 languages: Czech, Dutch, French, German, English, Italian, Polish, Portuguese (for both Brazil and Portugal), Russian, Serbian, Slovenian, Spanish, Turkish.

You can download bibisco from the official website: https://bibisco.com.

Step 2: create your project

Once bibisco is installed, it’s time to create your project.

Choose the title (you can always change it later), register yourself as the author, select the language and you are ready to go!

create a project in bibisco
How to Master Character Creation in 7 Simple Steps
create a project in bibisco

Step 3: create your first character

It’s time to create your first character!

bibisco divides the characters into two groups: the main characters and the secondary characters.

characters' section in bibisco
How to Master Character Creation in 7 Simple Steps
characters’ section in bibisco

Each main character has a conflict, the driving force of the story. Secondary characters instead don’t have a conflict, but they are useful for the development of the story.

In this tutorial we focus on the creation of the main characters: let’s create the first one by assigning it a name.

Step 4: get to know the character in depth

This is certainly the most important step.

All the great characters in the stories have one thing in common: they are believable.

Characters who are either completely good or completely bad are stereotypes and therefore not believable.

What makes a positive character interesting and believable is discovering their dark side. What makes us empathetic with an evil character is knowing that before they became who they is, they was a sweet and generous person.

So, how then can we create interesting characters? Knowing them thoroughly, so that it emerges their human nature, with strengths, weaknesses, contradictions.


bibisco offers an innovative, simple and fun way to get to know the characters: by interviewing them!

Character's interview in bibisco
How to Master Character Creation in 7 Simple Steps
Character’s interview in bibisco

Through 138 questions divided into 6 sections (personal data, physical features, behaviors and attitudes, psychology, ideas and passions, sociology) we can know everything about our characters.

Main character's section in bibisco
How to Master Character Creation in 7 Simple Steps
Main character’s section in bibisco

It’s also possible to enrich the knowledge of a character by associating images with it. One of the images can be selected as profile picture.

The associated images and the profile picture can be used as a source of inspiration while building the character or later when writing the story.

Character's images visible while writing in bibisco
How to Master Character Creation in 7 Simple Steps
Character’s images visible while writing in bibisco

Step 5: get to know the story of the character before the story’s beginning

The way of being of each of us, in every moment of our life, is determined by our character and by the experiences we have lived up to that moment.

For this reason, bibisco provides two tools for knowing the character’s life before the story begins.

The first tool is a dedicated section in which to describe the childhood, adolescence, school and professional life of a character up to the moment of the beginning of the story.

The second tool is a section in which to indicate the significant events of the character’s life, with dates and descriptions.

Character's event section in bibisco
How to Master Character Creation in 7 Simple Steps
Character’s event section in bibisco

The events indicated in this section will then be merged into the novel’s general timeline.

Step 6: define the conflict of the character

As we discussed in detail in a previous post: no conflict, no novel!

Every main character has a conflict: a dream to be realized, a reaction to an external event, an inner need.

The conflict leads the character to action and thus to start the story.

bibisco has a dedicated section in which to describe the character’s conflict.

Character's conflict section in bibisco
How to Master Character Creation in 7 Simple Steps
Character’s conflict section in bibisco

Step 7: define the evolution of the characters

Every story is the story of a change in the condition of things and the evolution of the characters during this process.

And the evolution of the characters is the most interesting aspect because it’s what excites, inspires or upsets us. It’s what we’ll remember when we forget the plot.

As discussed in a previous post, every author should always ask himself: can my readers see themselves in my characters?

bibisco has a dedicated section in which to describe the character’s evolution during the story.

Character's evolution section in bibisco
How to Master Character Creation in 7 Simple Steps
Character’s evolution section in bibisco

Conclusion

This is how to master character creation in 7 Simple Steps.

Now it’s your turn! Download bibisco now and start creating characters your readers won’t forget.

Narrative Techniques Series: #6 Flashforward

Narrative Techniques Series: #6 Flashforward

In our Narrative Techniques Series, we already talk about the Flashback narrative technique. Today it is the turn of the Flashforward narrative technique.

Flashback and flashforward are two narrative techniques that concern the timing of the narrative.

In particular, Flashback allows us to jump into the past during the course of a story. On the other hand, Flashforward is the opposite.

Let’s see it together in detail.

What is the Narrative Technique of Flashforward?

This Narrative Technique of Flashforward, also called prolepsis, shows a scene that temporarily jumps the narrative forward in time.

Flashforwards often represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail.

In a narrative text, it is a scene that interrupts the chronological sequence of facts. The main purpose is to anticipate events that belong to the continuation of the story. This technique allows a leap in time and gives more rhythm to the story, creating suspense and high expectations.

It is important to think that this narrative technique should always help in the construction of the plot of the narrative. If you use this technique taken out of the story and out of context, you risk confusing the reader or the viewer.

Flashforward: some examples of use in literature and cinema

In both literature and film, this technique is used very often. This technique occurs in A Christmas Carol when Mr. Scrooge visits the ghost of the future.

In the Back to the Future saga the director Robert Zemeckis plays a lot with this narrative technique, especially in the second chapter of the trilogy, where Marty McFly finds himself projected into the then distant 2015.

It is also frequent in the later seasons of the television series Lost. Think about the series This is us where already in the first episodes we know that something has happened to the dad of the three main characters.

Introduce the Flashforward technique in your story with the innovative bibisco’s novel writing software

As anticipated, the flashforward technique also plays a lot with the narrative time. However, in order not to confuse the reader or detach him too much from the story, it is useful to follow a logical thread.

Bibisco and its writing and planning software can help you with this.

Use its advanced functions, like the Timeline, to figure out which narrative fabric to give to the story.

Narrative Techniques Series #6: Flashforward - bibisco's Timelin - bibisco blog | useful resources by your novel writing software
bibisco’s Timeline

Conclusions about the narrative technique of FlashForward

The use of certain narrative techniques, such as flashforward, allows the reader to anticipate facts, events, and situations that capture his or her attention and encourage him or her to continue reading.

It is that surprising element that often manages to make many viewers fall in love with a film, or readers of a book.

If you want to know more about the management of time in the novel, take a look also at the previous posts of the Narratives Techniques Series about Flashback and Backstory.

Narrative Techniques Series: #5 Flashback

Narrative Techniques Series: #5 Flashback

We move on into our journey between the narrative techniques series: the Flashback.

This technique is one of the most known in the narrative.

It is also called analepsis or retrospection the narrative technique of the flashback rewinds the structure of the narration.

It creates an alteration in the time sequences. Flashback takes characters or things back to the beginning of the story, to give more details about the narration or its characters.

How to use the narrative technique of the Flashback

This narrative technique allows the writer to show facts that happened before a particular moment in the narration.

In addition, it also allows filling the gaps in the information the reader has about some crucial facts. For instance, a flashback on the origins of a character shows the viewer the key elements that contributed to their development during their growing years.

Further, it is also useful to create that sense of suspense and better know the behavior and habits of a character by giving more information about him.

To sum up, this is a useful technique to create the so-called “plot twist“.

Be careful to use it. Flashback, if carelessly used, could confuse the reader and create a complication in the plot. The important thing to always keep in mind is to be persistent and consistent with the narration.

The function of the flashback is Freudian…You have to let them wander like the imagination or like a dream.

Sergio Leone

Examples of the narrative technique of flashback

One of the most famous and important examples of flashbacks is in the “Odyssey“. Ulysses tells his past vicissitudes at the court of Alcinoo, king of the Phaeacians.

In a more recent narrative opera, Harry Potter, the writer J.K. Rowling introduces the “Pensieve Memory“. It’s an object that Silente can use to put in his memories and to relive them in a second moment. These memories are all represented as flashbacks.

Create your story with bibisco’s novel writing software

As we said, the flashback has to be used carefully to not confuse the reader. With the innovative novel writing software of bibisco, you can easily create your narration, or chapters, take notes.

You can decide to use this technique, or also other techniques congenial to the plot of your story.

Narrative Techniques Series: #5 Flashback -  bibisco's architecture of the novel & narrative strands - bibisco blog | useful resources by your novel writing software

Conclusions

The narrative technique of the flashback allows introducing many details about the story.

The reader can better understand the relationship between a character and the background, the motivations and perspective of a character.

Subsequently, the writer interrupts the chronological and linear order of a narrative to introduce more depth and complexity to the story. And again, he can create surprise or suspense.

Think about one of this element and try to apply in your narration.

Do you need other advice about how to write your story? See these articles of our narrative techniques series and find your inspiration!

Narrative Techniques Series #4: Deus ex machina

Narrative Techniques Series #4: Deus ex machina

Many times we read this particular term but do you know its real meaning? We also already found the narrative technique Deus ex machina in many stories. It is an ancient Latin expression. It indicates an act of god and which literally means “god out of the machine”.

This term derives from the Greek tragedy. It concerned when a character, at the end of the narration, came on the scene to solve a situation that initially seemed very difficult to overcome, or even without a solution.

This unexpected character seemed a God able to suddenly solved the problem, who came onto the stage by a crane (called in Greek “mechané“). From here, the expression Deus ex machina.

In our articles about the narrative techniques series we also find the Deus ex machina. Nowadays, the narrative techniques Deus ex machina is used in the cinema and in many novels.

How to use the narrative techniques of Deus ex machina?

The narrative technique Deus ex machina does not only concerns a character but also any solution and event that solve a problem and happen without an effective explanation.

To use this kind of narrative technique we must not anticipate the entry of a particular character or the occurrence of a situation.

We can speak about the narrative technique Deus ex machina when something happens unexpectedly.

Is it better to use or to avoid the Deus ex machina narrative technique?

The audience does not love so much this technique. Frequently people find frustrating to not really understand why a particular solution is adopted to a situation.

Actually, it seems to be a real scam against the reader. Solving a situation with a Deus ex machina means breaking the credibility of the story. It is like to declare that the fears about the fate of the protagonist do not matter. In fact, an external intervention can solve everything.

At this point, the reader may ask himself some questions. If the writer uses the Deus ex machina narrative technique at the end of the story, why he doesn’t use it at the beginning?

What is the real point of telling this story?

Besides this, the Deus ex machina narrative technique diminishes the role of the protagonist and, often, of his allies. He is not the one who actively intervenes and saves the day but passively witnesses an external resolution. His journey, struggle, and experience are useless because he is not the one who will define events. Instead, it is in the moments of greatest difficulty that the protagonist should shine.

In conclusion, therefore, one must avoid running into the Deus ex machina. Instead, we must seek a resolution consistent with the plot and consequential to the narration; even better if the protagonist himself intervenes.

Use bibisco’s novel writing software to create your narration

The use of the narrative technique Deus ex machina depends on the writer’s taste and the aspect we want to give to the narrative.
With bibisco and its innovative writing and planning software, you can decide on the best option for your story.

Narrative Techniques Series: #4 Deus ex machina - 
bibisco's architecture of the novel & narrative strands -
bibisco blog | useful resources by your novel writing software
bibisco’s architecture of the novel & narrative strands

The narrative technique of Deus ex machina: some examples

One of the greatest directors to love and use this technique is Woody Allen. He did it in Match Point, as well as in his older film Mighty Aphrodite. In fact, without making spoilers, a character arrives by helicopter to resolve the situation.

In the third movie of The Return of the King of the Lord of the Rings series, the director uses this narrative technique. For example, in one scene in Minas Tirith, the ghosts recovered from the mountain suddenly appear and make a killing.

Sometimes this narrative technique is less visible, being less annoying. In other cases, it is more evident.

Moreover, in a second scene in Mordor, a convenient landslide opens up a chasm beneath the orcs and resolved the conflict.

Conclusions

The narrative technique Deus ex machina does not necessarily have to be a real go. It could be a man, an object. It could also be a strange case that happens to fix a narrative knot that cannot be unraveled in any other way.

The Deus ex machina remains an improbable expedient. Despite this, literature and theater continually use events that in real life would be practically impossible.

The Deus ex machina narrative technique certainly gives a value of unpredictability and mystery. In some cases might intrigue the reader, or the spectator, to the point that they remember the story they witnessed for a long time.

With the next post, we’ll move on into this wonderful journey of the narrative techniques series!

Narrative Techniques Series: #3 Backstory

Narrative Techniques Series: #3 Backstory

Do you have ever heard about this third Narrative Technique, the Backstory? I am sure you do.

Think about the sentence which often begins with a “…years ago”. This sentence concerns the way to give more information about the past of a character or a story. The Backstory technique aims to provide more intensity and depth to a narration. There are many movies and books which include this proper narrative technique: the Backstory.

Using the narrative technique of the Backstory, you can choose to tell a story without any breaks or use this technique to make the whole story more vivid and intense.

The Narrative Technique of the Backstory: what is it?

This narrative technique is kind of a window on the past of our characters. With the background technique, the reader can better understand the behavior of the protagonist or others. The narrative technique of the Backstory gives the chance to travel through past experiences and life stories and then keep going on the current narration with a different perspective about a character.

Every one of us in our life, after all, has passed difficulties or barriers that change the path and attitude to face things. The past has a significant role in everyone’s life. It is the place where we come from and our story. That is the reason why the narrative technique of the backstory is so important and valuable.

Understand a character also mean knowing his/her fears, even the deepest ones.

“We do not have to be ashamed of what we are. As sentient beings, we have wonderful backgrounds. These backgrounds may not be particularly enlightened or peaceful, or intelligent. Nevertheless, we have soil good enough to cultivate; we can plant anything in it.”

Chögyam Trungpa

How to use the Backstory Narrative Technique?

There are different ways to use this technique.

The first one is the flashback. It has to be a short but intense break in the narration and used at different times during the story. In general, the public likes flashbacks because it makes the story more dynamic by creating an extra level of narration. Therefore, usually, it hides some unforeseen plot twist.

The second one is the prologue. It is like a flashback but only introduces at the beginning of a story. Here we don’t have the same surprise effect as in the flashback technique, but the reader can learn a lot of information about the characters and the story itself.

The digression is another helpful instrument to realize the narrative technique of the backstory. In the digression, the writer makes a little break to explain better a scene, an environment, or a particular character’s attitude.

Finally, you can resort to the first-person narrative or the third-person one.

With the first-person narration, the writer tells a story, an event, speaking about the past. In this case, the writer is personally involved in the narration and uses his voice to give more details. Using the second option, the third-person narrative, the writer chooses a third person, outside the story, who can narrate and know everything.

Write your story with the narrative technique of the Backstory and bibisco novel writing software

Writing your novel is quite a complicated task. Fortunately, bibisco has some valuable tools which will make it easier for you to create your story and get to know your characters in depth.

Narrative Techniques Series: #3 backstory - 
bibisco's main character section -
bibisco blog | useful resources by your novel writing software
bibisco’s main character section

Conclusions

Why deciding to use the backstory narrative technique in your novel? Because this technique can add meaning to your story and enrich it with details.

The reader could get their idea about the characters and the narration by reading more information given through the backstory narrative technique. It also can be a useful element to make the narration more vivid and amaze your public.

Narrative Techniques Series: #2 Show don’t tell

Narrative Techniques Series: #2 Show don’t tell

Let’s move on to our narrative techniques series. In this second article of the narrative techniques series, we write about a second important narrative technique that is the Show don’t tell. This is not just advice from writers to writers but an accurate technique fundamental to use in your novel.

How many books have you read in which there is extensive use of descriptions, monologues, and explanations at the expense of dialogues between characters and some action in the plot? This narrative technique, “Show don’t tell” teaches the writer to use more effort and dialogues to describe and introduce a character because this makes the novel more interesting.

The function of the “show don’t tell” narrative technique

What is the main purpose of writing a novel? It is to tell a story that can thrill the reader and in which characters he can identify with. In order to do that you can use this particular technique that shows action instead of explaining it. You can develop your narration by using more actions, words, thoughts, senses and feelings rather than description and summarization.

Let me make an example. If you have to describe a very unpleasant character, you have two possibilities.

You can do it with a description. You can write that “he is a very unpleasant person, with all his friends and colleagues and that he has a very bad attitude with everyone”. Otherwise, you can use a dialogue between this unpleasant character and a colleague for example. In this way you just show how unsympathetic he is. Furthermore, you have another advantage: the reader may draw its own conclusions about this character without your explicit description. He may feel not to be in empathy with him, or on the contrary, to really love his straightforward attitude.

One of the first supporters of the narrative technique “Show don’t tell” was George Campbell. He was a theologian, philosopher, and academic of rhetoric. He believed that to show the feelings was more effective than to describe them.

Rules of this narrative technique

There are some important rules to follow to wisely use this technique. Firstly, you have to write a deep description of what is going on and not only a generic tale. The “Show don’t tell” technique described in this series works well if you use many details that help the reader to dress the part.

Secondly, develop the scene action by action. If you make the characters interact with each other step by step, it will be easier for the reader to develop the images in his head during the narration.

Lastly, if you simply describe an action and opt for a more conservative technique of writing you can use indirect dialogues. On the contrary, by using this narrative technique object of this article, you have to use direct dialogues. Direct speech has a fundamental role in immersive writing.

A novel based on this narrative technique is more active, made of actions. It contains more active verbs rather than passive ones, and it has a lot of moving images. All that dynamism has a positive and great impact on the reader.

“Actions speak louder than words”

Michel de Montaigne

Create your novel with bibisco by using the “Show don’t tell” narrative technique

Do you know that bibisco owns very professional and innovative novel writing software? And it can help you with your narration. With this planning software, you can organize the plot of your novel and decide how to use the different narrative techniques of our series. Here below some examples of what you can do.

Narrative Techniques Series: #2 Show don't tell - 
bibisco's architecture of the novel & narrative strands -
bibisco blog | useful resources by your novel writing software
bibisco’s architecture of the novel & narrative strands

Conclusions

Show don’t tell or tell? It depends on your taste and your way of writing. It also depends on the plot of your novel. The only certainty is that a book only with descriptions and no actions can exist.

The reader needs to follow the narration and build a personal image of the characters, the situations, and the story itself. To feel empathy with a character is one of the secrets of a great novel.

In conclusion, this technique can be applied to some parts of the narration you decide to be relevant. The important thing is to give the reader the possibility to draw conclusions by himself without any other conditioning. Here we conclude this second article but don’t forget to read the other ones about the narrative techniques series!

Narrative Techniques Series: #1 Chekhov’s gun

Narrative Techniques Series: #1 Chekhov’s gun

If you think that a writer uses only his imagination to write a novel, without rules, you are wrong. With this post, we open a long series on narrative techniques used by writers and screenwriters of films. Let us begin this narrative techniques series with the first one: Chekhov’s gun.

What are narrative and expressive techniques?

They are pillars that give structure to the story, the characters created, and the dialogues. A writer must know how to master these dramaturgical tools in order to create a solid and compelling narrative.

All these elements must be skillfully correlated with each other in order to build the structure of the narrative. We will discover together that the elements inserted in a story are never random. On the contrary, they often have a dramaturgical function, and that they belong to a defined narrative technique.

What is the narrative technique of Chekhov’s gun?

Chekhov’s gun is a fundamental dramatic principle in a story. It is an element that initially seems negligible and insignificant. This one, only in the course of the narration turns out to be very important. This element can take any form. It can be an object, a phrase, a character, or an image.

Very often it is something you can see only for a few seconds, without too much importance. The reader or viewer is aware of the existence of that element but does not know that it is fundamental. Try to think of a thriller movie. You may notice, just for a few seconds, inside an open drawer and then immediately closed, a gun. That gun could be the decisive object of the story.

The Chekhov’s gun: the Anticipation technique

«If a gun appears in a novel, it must shoot”

Anton Ĉechov

This narrative technique is also called “Anticipation” thanks to its function. In fact, it anticipates how a story will turn out. Chekhov’s gun creates a final twist, also called “Overturn“. This moment in addition to leaving the reader stunned will lead him to investigate the unsuspected nature of the culprit. Because where there is a Chekhov gun there is always a culprit.

The dramaturgical principle of Chekhov’s pistol serves to remind the writer of two important rules. The first concerns the need to insert something at the beginning of the story, useful in concluding it. The second, in the same way, reminds the writer not to insert superfluous elements.

They could confuse the ideas of the reader/viewer too much. If an element is not necessary for the story, you can easily delete it. But be careful not to confuse it with the fake superfluous element.

You can also insert this element precisely with the aim of misleading the reader or viewer. Often this narrative technique is found in thriller and detective novels. One of the first writers to appreciate this misdirection technique was Murakami. He explained that not all the elements introduced at the beginning had to find a role at the end. On the contrary, you can simply insert them on purpose to mislead the reader’s assumptions.

Use bibisco to create your novel by introducing Chekhov’s gun

Writing indeed means to owe a lot of creativity as much as technique. Thanks to bibisco and its novel planning software, you can create a structure for your story. Here you can find a whole section dedicated to creating objects like guns, magic wands, treasure maps, and much more else.

Narrative Techniques Series: #1 Chekhov's gun - 
bibisco's objects section - 
bibisco blog | useful resources by your novel writing software
bibisco’s objects section
Narrative Techniques Series: #1 Chekhov's gun - 
bibisco's object image -
bibisco blog | useful resources by your novel writing software
bibisco’s object image

With the novel writing software, you will be able to dedicate yourself to the creation of elements. For instance, you can create dialogues and characters, always having in mind the track to keep.

Conclusions

The writing of a novel or a screenplay involves creative skills. It consists largely of the writer’s imagination and very specific writing techniques. The key element is experience.

In this long new journey together we will analyze narrative techniques. Therefore, we will learn how to write and also to read a story between the lines.

Character Archetypes Series: #9 Trickster

Character Archetypes Series: #9 Trickster

We have thus come to the end of this long journey. We explored the Hero’s Journey with its stages and Campbell’s archetypes. However, there is a final archetype that supports the Hero on his journey: the Trickster: we talk about him in the last article of the Character Archetypes Series. Last but not least.

Indeed, it is often a character that is remembered very easily even after a long time. Let’s find out who the Trickster is and what are its characteristics.

Who is the Trickster

Trickster represents the archetype of the cheater, of someone who lies.

However, he is not an antagonist to the Hero. He is someone who accompanies him on the Journey but who is unable to be honest about himself.

Often this character has a comic streak.

Let’s think of the Disney cartoon Mulan. Mushu is Mulan’s guardian red dragon who pretends to have been sent to protect her. In reality, his primary interest is to return Mulan home, victorious, so that he can be reinstated among the ancestors.

Mushu, like Donkey in Shrek corresponds to the archetype of the Trickster and retains some comic characteristics. Donkey too, in fact, supports Shrek in his business but for his personal interest.

In Harry Potter, instead, Dobby represents this archetype. He is the elf of the Malfoy’s family, who accompanies Harry Potter causing him some trouble every now and then.

The role of the Trickster

This archetype has a double well-defined function:

  • dramaturgical function: this character generally has the task of playing down the narrative.
  • psychological function: the trickster laughs at his own limits while trying to overcome them.

Put simply, we can define this character as the shoulder of the Hero.

It is a very useful archetype because it helps to ease the tension during the Hero’s Journey, as difficult moments, or a quarrel between the Hero and the Allies. For this reason, the Trickster has usually a part in moments immediately before the battle. For all these reasons, the reader or the viewer becomes easily fond of him.

Create the Archetypes of your Journey with bibisco

bibisco provides you with its novel writing software to create the characters of your narration, according to the model of Campbell’s archetypes.

Character Archetypes Series: #9 Trickster - bibisco interview mode
bibisco blog | useful resources by your novel writing software
bibisco interview mode

Thanks to the interview mode you will thus be able to create a Trickster that has a good comic streak and that the reader or spectator will quickly become attached to. Creating the characters will be simple, fun and the final result is absolutely satisfying.

The final steps of the Hero’s Journey

The Hero must now go home.

The enterprise does not end with passing the Supreme Ordeal. Even the road back home is however full of pitfalls that try to make the Hero fall into temptation again.

The Hero makes it clear why he decides to return to his Ordinary World, instead of staying in this new, extraordinary world. In this passage, the beginning of the end of the Journey, the protagonist faces the consequences for deciding to challenge the Shadow and his dark forces during the Supreme Ordeal. 

Character Archetypes Series: #9 Trickster - Hero's journey - 
bibisco blog | useful resources by your novel writing software
Illustration by Valentina Forni @cloudandcowfish

The moment in which the Hero feels he has definitely changed is that of the Resurrection.

In this step, the Hero passes the ultimate test ever. In this journey back to his Ordinary World, he proves to have changed, resisting what would have previously led him to a different way.

And for this reason, it is approaching the last phase of the Journey: the Return with the Elixir. The protagonist of the narration returns home but does not do it empty-handed. He brings with him a treasure that will be useful to his entire community.

The message of this final part is clear. It is important to know how to share one’s mistakes, one’s growth and change with people around us.

“Life has no meaning. Each of us has meaning and we bring it to life. It is a waste to be asking the question when you are the answer.”

Joseph Campbell

Conclusions

The Hero has come to the end of his enterprise. In the same way have we in this narrative between archetypes and moments of the Hero’s Journey.

The Hero has completed the Supreme Ordeal and deserves the just reward. This is usually an object, such as a sword, a person like one’s beloved or simply the awareness of the change that the Hero has faced since leaving the Ordinary World.

In this journey we have learned that the different types of archetypes hide in every Hero and also in each of us. There are those who are Allies, Trickster, who have a function as Herald or Guardian, or who have become the Shadow because they have succumbed to their weaknesses, and to the dark side of each one.

Our Hero who accompanied us on our long journey is now ready to enjoy his Ordinary World with a new awareness of himself and leaves us the way to continue on our personal and daily Hero’s Journey.

You can not please everyone. Who you are writing for?

You can not please everyone. Who you are writing for?

The key to successful writing is to understand who you are writing for.

If you are interested in writing, it’s not enough for you to have a vivid imagination and time to put words to paper.

You can start by letting your ideas pool and then create a storyline that you can work with. But, in order to successfully do this, you need to consider who you are writing for.

There’s a big difference between the style of the Harry Potter series and the Da Vinci Code. The difference isn’t in the writer or even defined by the genre, it’s in who the target audience is.

Understanding who will be reading your novel ensures you create a story that they will enjoy reading. This approach ensures you are aware of the most appropriate writing style to keep your reader engaged.

The Message

Once you’ve established your target audience, you need to answer this question: what message are you conveying?

There’s a big difference between creating a factual story and a fictional one. A factual story revolves around the facts, your aim is to tell the story compellingly but stay true to the facts. A fictional story gives you a license to write almost anything. But this is where writers often lose focus.

That’s why you need to establish a core message first.

Are you writing about love? Perhaps you’re looking at your vision of the future, or want to write a classic action hero story.

Your message can even be a feeling that you want to convey, such as awe, or even to make people feel connected.

You must know what your message is before you start writing. This will ensure your writing stays true to your message.

When you know the message you’ll find it easier to write and you’ll know exactly who you are writing to.

It’s more than just a genre of people, knowing your message allows you to visualize your readers, enabling you to write to them as though they are friends.

Choosing The Tone

Once you’ve established your target audience and your message you’re going to need to consider the tone.

In some cases, this is defined by your message.

For example, if you’re looking to write a historical romance then the style of writing is already dictated by the speech patterns of that era.

But, a modern romance has a very different tone, as does a futuristic thriller or love story.

Alongside this, you need to define what point of view you intend to adopt. Are you writing as the main protagonist or as an innocent bystander? You need to define what perspective you’re adopting to ensure you maintain this throughout the novel.

How bibisco can help

bibisco is especially helpful at this stage.

It has a premise tab that enables you to define the purpose of your novel in one sentence. That’s your message.

You can not please everyone. Who you are writing for? - bibisco premise card
bibisco premise card

bibisco also offers the opportunity to define the conflict within your novel. By interviewing the characters, you can get to know them thoroughly and identify the central issues to be resolved in the novel.

You can not please everyone. Who you are writing for? - bibisco character’s interview
bibisco character’s interview

Conclusion

Successfully writing a novel requires you to define who you are writing for.

This creates the definition of the novel and the direction.

These are the two most important elements and it’s worth taking your time working these out.

With them done properly, the art of writing is surprisingly simple, you simply need the right novel writing software to support your ideas.

You can’t please everyone, but you aim to please yourself and your intended audience, bibisco can help you achieve this.